The Chosen Ones (There are currently 8 photos)

From thousands of photographs in my archive, only a few possess an absolute, self-contained story. These are the chosen ones. One single frame, the raw narrative behind it, and the gear that captured the moment.

Date Taken: April 11, 2009

Behind the Shot

At first glance, this image appears to be a study of nature’s perfect design: a sleeping owl whose mottled feathers mimic the rough texture of the tree bark with uncanny precision. But look closer, just above the primary subject, and a second owl emerges from the shadows, blending so seamlessly into the wood that most viewers miss it entirely.

Captured in a zoo enclosure – hinted at only by the soft, out-of-focus wire pattern in the background – the shot relies entirely on pattern, tone, and sharp focus to highlight evolutionary magic. While the shooting process itself was straightforward, the photograph went on to live a remarkably vibrant life of its own. After being shared on 500px, it gained wide recognition and was featured in BoredPanda’s viral 2012 compilation “20 Amazing Examples of Owl Camouflage“. A subtle visual puzzle that rewards a second look.

Context: The Zoological Center Tel Aviv-Ramat Gan
Camera: Nikon D80
Lens: Nikon AF-S 18-200mm f/3.5-5.6G ED
Date Taken: April 28, 2022

Behind the Shot

Sometimes the most striking images come not from active hunting, but from the simple act of waiting and watching. Sitting on a mountain ridge in the Wadi Rum desert, waiting for the setting sun to cast its final glow over the landscape, I wasn’t expecting anything extraordinary.

Then, out of nowhere, a lonely desert dog appeared, navigating the crest of a massive sand dune. It walked with quiet purpose, strictly tracing the razor-thin border where the deep shadow met the warm, golden evening light. Leaving a neat trail of paw prints along the ridge, it turned a vast expanse of sand into a living, minimal painting. A fleeting moment of pure geometric harmony created entirely by nature and a chance passerby.

Context: Wadi Rum Desert, Jordan
Camera: Nikon D850
Lens: Sigma 85mm f/1.4 DG HSM Art
Date Taken: April 26, 2025

Behind the Shot

Having shot countless live performances across various genres and scale of shows, I’ve learned one truth: every musician on stage is an actor, performing a specific role for the audience. But very rarely, something bigger happens. There are fleeting moments when an artist drops the mask, stops performing, and truly dissolves into the music.

That is the ultimate high of concert photography: hunting for those unscripted, genuine moments. They don’t happen often, and capturing them requires a mix of intuition and pure luck.

This frame of Kama Kamila is one of those rare triumphs. She wasn’t singing here; she was simply listening, entirely consumed by the sound. Paired with her extraordinary outfit and the dramatic, shifting stage lights that aligned for just a fraction of a second, the scene came alive. And then there are the colors – this vibrant, electric contrast of red and green that feels as organic and alive as a ripe red apple with a fresh leaf, a strawberry, or a sun-ripened tomato. It’s a moment of physical light and inner revelation – a true illumination.

Context: Kama Kamila Live at PAPAITO, Tel Aviv
Camera: Nikon D850
Lens: Sigma 85mm f/1.4 DG HSM Art
Date Taken: July 10, 2011

Behind the Shot

A fisheye lens can sometimes create a whole universe within a single frame, where the most important story unfolds in the quietest corner. This 2011 London street capture is a masterclass in observed human comedy, but it’s easy to be distracted by the vibrant chaos of the foreground.

The real drama lies with the people walking past. If you look closely, you’ll see that the true ‘craving’ is not coming from the woman about to take the first, blissful lick of that giant, syrup-drenched cone. It is etched with heartbreaking clarity on the face of the young girl in the pink helmet. Her stare is one of complete, envious focus on the forbidden dessert. And just a few paces behind, the father’s resignation is palpable. His expression suggests he has already seen his fate, accepted the inevitable, and is mentally calculating where the next ice cream shop might be. In a single, distorted second, I captured a cross-generational story of desire, longing, and parental duty.

Context: Street Photography, London, UK
Camera: Nikon D80
Lens: Nikon AF DX 10.5mm f/2.8G ED
Date Taken: December 7, 2012

Behind the Shot

In 2012, the Ramat Gan Safari witnessed a rare and extraordinary event: two baby gorillas were born just weeks apart. But the real story wasn’t just the double birth; it was Lucas, the massive silverback leader of the troop. Breaking the typical distant behavior of alpha males, Lucas stepped up as a fiercely devoted and remarkably tender father, frequently taking both infants onto his broad shoulders to give the tired mothers a rest.

This frame captures the very essence of that unique bond. Looking at this photograph, you don’t just see a silverback gorilla; you see a father. The contrast is breathtaking – the immense, muscular back of an apex primate transformed into a safe, warm haven for a tiny, fragile soul. The way the infant completely surrenders to sleep, draped over the giant’s back with a small arm hanging down, speaks of absolute trust. It is a powerful reminder that the greatest strength is often found not in aggression, but in the quiet capacity to protect and hold what is small and vulnerable.

Context: Ramat Gan Safari, Israel
Camera: Nikon D800
Lens: Sigma 150-600mm f/5-6.3 DG OS HSM
8 of 8 photos displayed. That’s all for now.